Through the Subject

Rather than launching into a very long digression, which I already partially engaged in, to be fair, within the massive project that is Toward a New Ontology, I have decided to take a moment here to explicate further my conception of being in relation to objects and the Subject. In as much as I wear my influences on my sleeve, I should state that these ideas are heavily influenced by Phenomenology (no one is surprised), in particular my recent reading of Heidegger’s Being and Time as well as Maurice Merleau-Ponty’s Phenomenology of Perception. That said, I do think that I am veering wildly from their intended readings, particular in my metaphysical/ontological focus.

For the sake of clarity, here I will refer to the Subject on in the singular, though I by no means am making claims to an idealized Subject, such as a deity. The singular capitalized Subject is meant to refer to all singular instantiations of the Subject in their singularity. In as much as all subjects, as discrete entities, share sets of relatable characteristics which define and guarantee their subjectivity, the Subject is used to refer to that set of instantiated qualities. Therefore, the Subject is emphatically instantiated and does not refer to idealized form. It is used to describe a collective set, with the intention of maintaining emphasis on the singular units within that set.

Previously, I claimed that objects are not with the same intensity as the Subject is. Allow me to explain myself, I hope, more clearly. Objects certainly and indubitably exist. While it is true that all knowledge we possess of objects is subjective, is filtered through our senses and reasoning, we are forced, by the nature of our subjectivity to accept the presence of objects discrete of our subjectivity. Of course, the precise nature of objects need not necessarily correspond to our impressions of them. All that is required of objects for us to have assured knowledge of their presence is that, regardless of their private natures, they continue to impact upon our consciousness in coherent fashions. Therefore, we have knowledge of objects because our perceptions of them are such that they present consistently and coherently. Objects are known in as much as they present a network formal relations which we are able to process and comprehend.

Now, the presence of objects must be of a nature different from the presence of the Subject. Only the Subject is capable, as previously mentioned, of the reflexive actions of perceptions, that is to say only the Subject is simultaneously aware of itself and the World. It is not required of objects that they be aware of either. Indeed, it is not, I believe, controversial to claim that objects lack interiority. By this I do not mean that objects lack interior spaces, merely that they lack internal conscious states. Consciousness, in general, demands an interior, a presence withdrawn from the World, wherein only consciousness abides. I would argue that consciousness demands both interior and exterior, for it appears to be incoherent to claim that an object, possessing no exterior awareness, could be filled interiorly with consciousness, as then, lacking true exterior, the consciousness would have no interior space, either. If consciousness is withdrawn from the World, the presence of the World is vital for the necessary retreat of consciousness to its private demesne.

That which perceives must have an interior to perceive against, it must have a portion of itself discrete from the world for perception to penetrate. Objects lack such an interior. Of course, objects still interact, they merely have no consciousness of such interaction. Object relations are governed by formal properties according to the natures of the objects in relation. Indeed, this is the way in which we recognize objects are emphatically present. Objects will always relate to each other in coherent, consistent fashions. Inter-object relations come, then, to describe a complex set of formal relations which govern the actions of objects across a network. The complexity of actions within that network is determined by the number of objects in relation and their discrete natures in relation to each other. It is as a result of the formal coherence of the object network, and the formal nature of objects that we are guaranteed their continued coherent impact upon our consciousness.

Now, the presence of objects is not the same, I argue, as their true being. How is it that presence is distinguished from being? Being rests upon awareness. The confusion and complexity emerges from the simple fact that our entire conception of being rests upon our awareness of it. We are aware of our being, and being so aware are also aware of the being of other things. This entire action, the action of being, is fully embedded with the fascinating reflex of conscious awareness. Indeed, the action of being is embedded by its nature within the Subject. Being is an emergent property of the Subject just as the Subject is emergent, that is to say transcendent, of objects. Objects, incapable of awareness, are incapable of being. Any being which is ascribed to an object is ascribed outside of itself, being is not a property possessed of objects themselves. It is merely that our awareness of being makes incoherent the assertion that objects are not, when, in truth objects are through our awareness of being distinct from ourselves in the manifold of the interior/exterior divide necessary for conscious awareness. The intensity of being is dispersed through the conscious awareness of the Subject into the World. Thus, objects persist, amongst themselves, bound by their formal network. Only the emergence of the Subject, with its fully realized capacity for being is capable of bringing being into the World around it. Being, as an active state, is instantiated with the Subject.

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One thought on “Through the Subject

  1. […] I have spoken before that objects in perception are undoubtably objects. Having only our perceptions, all that we require for secure knowledge about objects is there continued coherent presentation within our perceptions. Art, however, does not present continually coherently, but flashes out and disappears from the object perceived. Art is an only occasionally present quality of objects. Art instead dwells in a kind of sympathetic perception towards art, not in the objects themselves. […]

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